![]() Songs like Caetano Veloso’s “Leãozinho” (1977), an intimate ode of physical and emotional admiration for another man, exposed Brazilian listeners to a form of same-sex attraction. Indeed, the overwhelming popularity of such performers reflected a growing societal acceptance of deviance from traditional Brazilian constructions gender and sexuality. Singers such as Caetano Veloso and Ney Matogrosso presented themselves as androgynous, gender-bending performers and raised important questions in society about gender roles and identities. As traditional insistence of premarital virginity and normative heterosexuality became regarded as antiquated and repressive, Brazil’s biggest stars projected unabashed sexuality and were rumored to have homosexual affairs. ![]() Among the counterculture’s many challenges to societal norms was the destabilization of sexual codes and gender norms. By late 1960s and early 1970s, international countercultural ideas held significant sway over Brazil’s urban middle-class youth.
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